"... the Annina of Uruguayan soprano Ana Escudero, whose frank, clear timbre catches the ear..."
Opera Wire. La Traviata (Verdi), Opéra national du Rhin.
March 2025
"Violetta's confidante and main support in her final moments, Annina, is played by Ana Escudero, with her consistent line and light timbre. In the final scene, the Uruguayan soprano is attentive to her partner's every move, creating a strong sense of complicity. She thus acts as a true empathetic conduit for the audience, who are drawn into the emotions felt by this “privileged” witness to the drama unfolding on stage."
Olyrix. La Traviata (Verdi), Opéra national du Rhin.
March 2025
"Uruguayan soprano Ana Escudero trained in her home country before joining the Maîtrise de Notre-Dame de Paris, which explains her impressively natural French. Playing the lead role, she immediately evokes L'Enfant et les Sortilèges with her lively presence, perfectly complemented by a lovely fresh and youthful tone..."
Forum Opéra. Les Trois Brigands (Puntos), Opéra national du Rhin.
February 2025
"This performance provides an opportunity to appreciate the talents of the Opera Studio artists. The young Luisa is played by Ana Escudero, a soprano with a clear, delicate voice and dynamic acting skills."
Olyrix. Les Fantasticks (Jones-Schmidt), Opéra national du Rhin.
February 2024
"It must be said that the cast is evolving at the top, (...) right down to the young supporting actors, giving Ana Escudero the opportunity to show her innate talent for the stage."
Le Figaro. L'Incoronazione di Poppea (Monteverdi), Festival de Beaune
July 2023

L'Incoronazione di Poppea, SV 308, Act II Scene 4: Sento un certo non so che (Valletto, Damigella)

Ana Escudero
Soprano
"... the Annina of Uruguayan soprano Ana Escudero, whose frank, clear timbre catches the ear..."
Opera Wire. La Traviata (Verdi), Opéra national du Rhin.
March 2025
"Violetta's confidante and main support in her final moments, Annina, is played by Ana Escudero, with her consistent line and light timbre. In the final scene, the Uruguayan soprano is attentive to her partner's every move, creating a strong sense of complicity. She thus acts as a true empathetic conduit for the audience, who are drawn into the emotions felt by this “privileged” witness to the drama unfolding on stage."
Olyrix. La Traviata (Verdi), Opéra national du Rhin.
March 2025
"Uruguayan soprano Ana Escudero trained in her home country before joining the Maîtrise de Notre-Dame de Paris, which explains her impressively natural French. Playing the lead role, she immediately evokes L'Enfant et les Sortilèges with her lively presence, perfectly complemented by a lovely fresh and youthful tone..."
Forum Opéra. Les Trois Brigands (Puntos), Opéra national du Rhin.
February 2025
"This performance provides an opportunity to appreciate the talents of the Opera Studio artists. The young Luisa is played by Ana Escudero, a soprano with a clear, delicate voice and dynamic acting skills."
Olyrix. Les Fantasticks (Jones-Schmidt), Opéra national du Rhin.
February 2024
"It must be said that the cast is evolving at the top, (...) right down to the young supporting actors, giving Ana Escudero the opportunity to show her innate talent for the stage."
Le Figaro. L'Incoronazione di Poppea (Monteverdi), Festival de Beaune
July 2023

L'Incoronazione di Poppea, SV 308, Act II Scene 4: Sento un certo non so che (Valletto, Damigella)

